诱饵
类型：剧情 / 地区：英国 / 年份：2019
主演：西蒙·谢泼德,特里斯坦·斯特罗克,Mary,Woodvine,艾萨克·伍德文,爱德华·罗
导演：马克·詹金
更新：2025-08-15
简介：
康沃尔渔村的(✒)风(fēng )景明(míng )信片田( )园诗( )误导(dǎo
康沃尔渔村的(✒)风(fēng )景明(míng )信片田(🐌)园诗(🔼)误导(dǎo )(🃏)了人们(men )。虽然过去钓鱼是(shì )一种养家糊口的方式，但如今富有的(😧)伦敦游(yóu )客纷(fēn )纷下山，取代了当地人，当(dāng )地(🕔)人的(de )生(shēng )计(jì )(🤷)因(🗄)此受到(🕖)威胁。史(shǐ )蒂文和(hé )马丁兄弟的关(guān )系也(📞)很(hěn )紧张。马丁是一个没有船的渔夫，因为史蒂文(💞)开(kāi )始用它来为一(🔩)整(🥁)天(🌚)的游客提供更(gèng )(🖲)赚钱的旅(🦗)游。他们(men )卖掉了(le )(💻)这座家(jiā )庭(tíng )别墅，现在看来(🌞)，最后(hòu )一场(chǎng )战斗是和(hé )(⏰)新主人在海(hǎi )边的停车位(wèi )上展(zhǎn )开。然而，情况很快(🕐)就失控了，而不(bú )仅仅是因为车轮(lún )夹钳。Bait是(💍)一(yī )种黑白，手工制作，16毫米(mǐ )(🤷)胶片制作的电(diàn )影(yǐng )。许多(duō )关于鱼、网(🎥)、龙虾(🤔)、(📧)长靴、绳结和渔(👌)篮的特写(🔷)镜(jìng )头(♌)让人想起了(le )蒙太(🏴)奇景点的理论。对不同社(shè )会阶层的描(miáo )述——可以(🍁)说是(👛)阶级关系(🎦)——也让人(🐂)想起了(⏺)英国电(💅)影(🤼)中的社会(huì )(🕺)现(💑)实主义传(chuán )统。然而，最重要(🧥)的是，在(🐈)影(🔬)像中(zhōng )不同层次的(de )(🐌)电影历史参考文(wén )献(🏡)之(zhī )(✒)下(xià )，当(dāng )前(🛃)许(🛌)多政(zhèng )(🕵)治关联正在等(👆)待被发(fā )现。The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp.Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.
详情
