主演：西蒙·谢泼德 特里斯坦·斯特罗克 Mary Woodvine 艾萨克·伍德文 爱德华·罗
导演：马克·詹金
类型：剧情
地区：英国
年份：2019
简介：康(🌠)沃尔渔村的(de )风景明信片田园(yuán )诗(🔼)误(wù )导(dǎo )了人们。虽然过(🕰)去钓鱼(🍥)是一种养家糊口的方式，但如今富(🥩)有的伦敦游(yóu )客(👋)纷纷下山(shān )，取代(♑)了(📼)当地(🚤)人，当地人的生计因此受(🎡)到(🕖)威(wēi )胁(xié )。史蒂文和(🥄)马丁兄(xiōng )弟(🚥)的(de )关系也很紧张。马丁是一(🙁)个没有(yǒu )船(🚑)的渔夫，因为史(🤷)蒂文开始用它(tā )(📎)来为(wéi )一整天的游(🚨)客提(⏯)供更赚钱的(💱)旅游。他们卖掉了这座家(📙)庭(tíng )别墅(shù )，现(🙌)在(zài )看来，最后一(yī )场(🙉)战斗是和(hé )新(🈴)主(🍄)人(⛏)在海边的停车位(wèi )(🤲)上展开。然而，情况很快(kuài )就失控(🚴)了(le )，而不(🕯)仅仅是因为(🈁)车(❕)轮夹钳。Bait是一种(zhǒng )黑白(bái )，手(➡)工制作(zuò )，16毫(háo )(🥋)米胶片(🌪)制作(🌼)的电影。许多(duō )关(guān )于(yú )鱼、网(🎥)、(🐡)龙(lóng )虾、长靴、绳结和渔篮的(📸)特写镜(jìng )头让(💸)人(🥅)想起了(le )(🏃)蒙太(tài )奇景点的理论。对(duì )不同社会阶(jiē )层的描述—(🏓)—可以说(shuō )是阶(jiē )级关(guān )系(🎦)——也让(🔪)人想起(qǐ )了英国电影中的社会现实(shí )(🎴)主义(yì )传统。然而，最重要的是(👅)，在影像中不同层次(cì )的电影(🖱)历史(shǐ )参考(🐅)文(wén )献之下，当前许多政治关联正(zhèng )在等待被发现。The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp.Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.