主演：西蒙·谢泼德 特里斯坦·斯特罗克 Mary Woodvine 艾萨克·伍德文 爱德华·罗
导演：马克·詹金
类型：剧情
地区：英国
年份：2019
简介：康(kāng )沃(👷)尔渔(yú )村(cūn )的风景明信片田园诗误导(dǎo )了(🕋)人们。虽然过去钓(diào )鱼(yú )是一种(zhǒng )养家糊(hú )(🥈)口(kǒu )的方式(shì )，但如(🗼)今富(fù )有的(de )伦敦游(🌫)客纷纷下山，取(qǔ )代了当(dāng )地人，当地人的(de )生计(🤷)因此受到(dào )(🕖)威胁。史(shǐ )蒂文和马(mǎ )丁(🚉)兄弟(🚥)的(🐖)关系也很紧(jǐn )张。马丁是(✖)一个(😻)没有船(chuán )的渔(yú )夫，因为史(🤷)蒂文开始用(yòng )(🌙)它(📎)来为(🚣)一整(zhěng )天(🌚)的游客提(⏯)供更(🖲)赚钱的(de )旅游。他们卖掉了这座家庭别墅，现在看(kàn )来，最后一场战斗是和(⏰)新主人(⛏)在海边的停(tíng )车位(🤲)上展(zhǎn )开(😍)。然而，情况很快就失控了，而不仅仅是因为车轮夹(💹)钳。Bait是一(yī )(🚗)种黑(🦇)白，手工(🏻)制作，16毫米胶片制作的(de )电影。许(💯)多关于鱼、网(wǎng )、龙虾、(📧)长靴、(🤥)绳(shéng )结和渔(👌)篮(lán )的特写(🔷)镜头(tóu )让人想起(🍽)了蒙太(tài )奇景(jǐng )(📐)点的(de )理论。对不(bú )同(tóng )社会阶层的描述(⏳)——可以(yǐ )(🍁)说是阶级关系(🎦)——也让人想(xiǎng )(👚)起了英国电影中的社会现实(🎴)主义传(🚩)统。然而，最重要(🧥)的是，在影像(xiàng )中不同层次的电影历(💛)史参(😲)考文献之(zhī )(✒)下，当前许多政治关联(📯)正在(zài )等待被(bèi )(🏗)发(🍉)现。The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’(🤷)ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp.Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.