主演：西蒙·谢泼德 特里斯坦·斯特罗克 Mary Woodvine 艾萨克·伍德文 爱德华·罗
导演：马克·詹金
类型：剧情
地区：英国
年份：2019
简介：康沃尔渔村的风(fēng )景(🥇)明(míng )信片田(🐌)园诗(shī )误导了人们。虽然过去钓鱼是一种养(yǎng )家糊口(🐉)的方式，但(🏴)如(rú )今富有(💤)的伦敦(📿)游客纷纷下山，取代了(le )当(dāng )地人，当地人的生计(jì )因(yīn )此受到威胁。史蒂文和(hé )马丁兄(🏐)弟的关系也很紧(🎫)张。马(😚)丁(dīng )(🍮)是一个(gè )没有船的渔夫，因为(🐖)史(shǐ )蒂(🔊)文开(kāi )始用它(tā )来为一整(🥁)天的游(yóu )客(🛑)提(⏯)供更(🖲)赚钱(qián )的旅(🦗)游。他们卖掉(diào )(🥔)了这(🗞)座(zuò )家庭别(✋)墅，现(🙌)在看(kàn )来，最(zuì )后一(yī )场(chǎng )(🙉)战(💪)斗(⛓)是和新主人在海边的停车(chē )位上展开(😍)。然而(ér )，情况很快就(jiù )失控(🚴)了(le )，而不仅仅是因为车轮(💝)夹钳(qián )。Bait是一种黑(hēi )白，手工制作，16毫(háo )(🥋)米(mǐ )胶片制作的电影(yǐng )。许多关(🔈)于(yú )鱼、网、龙(lóng )虾、(📧)长靴(😙)、绳结和渔(👌)篮(lán )的特写镜(jìng )头(♌)让人想(🐞)起了(le )蒙太奇景点的理(lǐ )论。对不同社会阶层的描(miáo )述—(🏓)—可以说是(👛)阶(jiē )级关系(xì )——也(🍺)让人想(👚)起了英(yīng )国电(diàn )影(🤼)中的社会(🕺)现实(🎴)主义(🚤)传统(tǒng )。然而，最重(⏺)要(yào )的是，在影像中(zhōng )(🔍)不(🌲)同(💕)层次的(🐌)电影历史参考文献之下(xià )，当前许多政治关(guān )联正在(zài )等待被发(🍉)现。The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp.Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.